I own about ninety-five percent of the music produced by the electronic music project Owl City. The reason I don't own a hundred percent of it is because they (he) sometimes have (has) special tracks for different countries or because sometimes they (he) have (has) random singles written for movies or whatever. Also, I am poor. That contributes.
Generally, my musical preferences involve a fairly heavy bass line and fantastic percussion. I don't even care what the genre of the song is, if it's got a good bass line and percussion, I will listen to it. This explains why I like Muse, which always has killer bass, and why I like Imagine Dragons and Bastille, both of whom generally have sick percussion. (Bastille also has the added benefit of occasional but always-on-point harmony under the singer's melody line, and I do love me some good harmony.)
Owl City has neither consistently excellent bass lines or awesome percussion. Instead, it's a mish-mash, depending on the album in particular. It's not really a band, given how there's only one consistent musician involved. The genius behind Owl City is Adam Young, a Minnesotan singer/songwriter/composer/what-the-heck-ever-er. Owl City is far from his only musical project, but it's the biggest by far.
The easiest word to describe the Owl City sound is electronic. The sounds are usually produced by computer programs (my experience with such being Logic Express and Audacity) or by synthetic sounds from keyboards. Young experiments with different kinds of microphones and amplifiers in order to get the kind of sounds he wants. I'm a little more familiar with his work regarding synthetic keyboards, as I've done similar work in high school. I played keyboards for my high school musicals during my sophomore, junior, and senior years. Generally, my role was to duplicate an organ, a small string orchestra, or a guitar; but occasionally I got to make bass sounds, or weird synthetic environment sounds. So I have that as a basis for understanding the sounds produced in Owl City's albums, and it helps me to enjoy it more.
Young got famous through MySpace and iTunes. He created the first tracks of the Owl City sound in his parents basement in 2007 and promoted himself through social media. It worked, and he became something of a MySpace phenomenon. He released several EPs before signing officially with Universal Republic Studios as a major label, but Owl City didn't become a big name until the first full-length album, Ocean Eyes, premiered in 2009. Three of the tracks on Ocean Eyes were released as singles: "Umbrella Beach," "Vanilla Twilight," and "Fireflies," which reached the Top 40 in the US and Canada. "Fireflies" is Owl City's most famous song to date- most people have heard it at least once and recognize the tune when it's played or sung.
While "Fireflies" isn't my favorite song by Owl City, I appreciate it a lot because it is not a love song, and it's relatively rare that a Top 40 isn't focused on love or sex. In that sense, Owl City has retained an innocence in the sound. Young has written songs about love (notably "Vanilla Twilight", "The Saltwater Room," "Lonely Lullaby," and one of my personal favorites "Bombshell Blonde"), but the overall content matter is weirdly philosophical, which is why I like it so much. Another contributing factor to the innocence I personally associate with Owl City is that of Adam Young's own Christian faith. While very few of the songs he has produced mention Christian themes explicitly, many of the ideas are associated with the moral values taught as part of Christianity. A prime example of a song that does mention Christianity is "Galaxies," another favorite.
I could wax rhapsodical about this project for several hours, honestly. I'll spare you the pain of reading through that and provide you with listening basics. There are three main albums: Ocean Eyes (2009), All Things Bright and Beautiful (2011), and The Midsummer Station (2012). A fourth album is in the works, but has not been given a release date or a name. My personal favorite album is The Midsummer Station. There's also a variety of EPs, including Of June (2007), Maybe I'm Dreaming (2008), and Ultraviolet (2014); and so many singles. SO MANY SINGLES. The singles include tracks produced for Wreck-It Ralph, The Croods, The Smurfs 2, and VeggieTales.
If you haven't got the time or money to buy all of the things but are curious, here's a list of songs I recommend for starters. They can be listened to in any order, but they're among my favorites.
Generally, my musical preferences involve a fairly heavy bass line and fantastic percussion. I don't even care what the genre of the song is, if it's got a good bass line and percussion, I will listen to it. This explains why I like Muse, which always has killer bass, and why I like Imagine Dragons and Bastille, both of whom generally have sick percussion. (Bastille also has the added benefit of occasional but always-on-point harmony under the singer's melody line, and I do love me some good harmony.)
Owl City has neither consistently excellent bass lines or awesome percussion. Instead, it's a mish-mash, depending on the album in particular. It's not really a band, given how there's only one consistent musician involved. The genius behind Owl City is Adam Young, a Minnesotan singer/songwriter/composer/what-the-heck-ever-er. Owl City is far from his only musical project, but it's the biggest by far.
The easiest word to describe the Owl City sound is electronic. The sounds are usually produced by computer programs (my experience with such being Logic Express and Audacity) or by synthetic sounds from keyboards. Young experiments with different kinds of microphones and amplifiers in order to get the kind of sounds he wants. I'm a little more familiar with his work regarding synthetic keyboards, as I've done similar work in high school. I played keyboards for my high school musicals during my sophomore, junior, and senior years. Generally, my role was to duplicate an organ, a small string orchestra, or a guitar; but occasionally I got to make bass sounds, or weird synthetic environment sounds. So I have that as a basis for understanding the sounds produced in Owl City's albums, and it helps me to enjoy it more.
Young got famous through MySpace and iTunes. He created the first tracks of the Owl City sound in his parents basement in 2007 and promoted himself through social media. It worked, and he became something of a MySpace phenomenon. He released several EPs before signing officially with Universal Republic Studios as a major label, but Owl City didn't become a big name until the first full-length album, Ocean Eyes, premiered in 2009. Three of the tracks on Ocean Eyes were released as singles: "Umbrella Beach," "Vanilla Twilight," and "Fireflies," which reached the Top 40 in the US and Canada. "Fireflies" is Owl City's most famous song to date- most people have heard it at least once and recognize the tune when it's played or sung.
While "Fireflies" isn't my favorite song by Owl City, I appreciate it a lot because it is not a love song, and it's relatively rare that a Top 40 isn't focused on love or sex. In that sense, Owl City has retained an innocence in the sound. Young has written songs about love (notably "Vanilla Twilight", "The Saltwater Room," "Lonely Lullaby," and one of my personal favorites "Bombshell Blonde"), but the overall content matter is weirdly philosophical, which is why I like it so much. Another contributing factor to the innocence I personally associate with Owl City is that of Adam Young's own Christian faith. While very few of the songs he has produced mention Christian themes explicitly, many of the ideas are associated with the moral values taught as part of Christianity. A prime example of a song that does mention Christianity is "Galaxies," another favorite.
I could wax rhapsodical about this project for several hours, honestly. I'll spare you the pain of reading through that and provide you with listening basics. There are three main albums: Ocean Eyes (2009), All Things Bright and Beautiful (2011), and The Midsummer Station (2012). A fourth album is in the works, but has not been given a release date or a name. My personal favorite album is The Midsummer Station. There's also a variety of EPs, including Of June (2007), Maybe I'm Dreaming (2008), and Ultraviolet (2014); and so many singles. SO MANY SINGLES. The singles include tracks produced for Wreck-It Ralph, The Croods, The Smurfs 2, and VeggieTales.
If you haven't got the time or money to buy all of the things but are curious, here's a list of songs I recommend for starters. They can be listened to in any order, but they're among my favorites.
- Of June
- Hello Seattle
- The Saltwater Room
- Ocean Eyes
- Early Birdie
- Meteor Shower
- Fireflies
- Vanilla Twilight
- Hot Air Balloon (deluxe edition)
- All Things Bright and Beautiful
- Deer in the Headlights
- Dreams Don't Turn To Dust
- Kamikaze
- Galaxies
- Alligator Sky (feat. Shawn Chrystopher)
- Lonely Lullaby (deluxe edition)
- The Midsummer Station
- Dreams and Disasters
- Shooting Star
- Gold
- Dementia
- I'm Coming After You
- Speed of Love
- Good Time (in collaboration with Carly Rae Jepsen)
- Embers
- Silhouette
- Metropolis
- Take It All Away
- Bombshell Blonde (iTunes edition)
- Ultraviolet
- Beautiful Times (feat. Lindsey Stirling)
- Up All Night
- This Isn't The End
- Wolf Bite
...Why, yes, I did just recommend that you listen to the entirety of The Midsummer Station and Ultraviolet. Hey, it's good stuff. It's all excellent.You really should listen to all of it. Dooooooo iiiiiiiiiittttt.
Given my musical background, however, I'd expect some people to say really ignorant things like "BUT ELECTRONIC MUSIC ISN'T REAL MUSIC" or "WHAT'S WRONG WITH CLASSICAL CONCERTO BY BACHTOVEN NUMBER FIFTY BAJILLION" or whatever. To that I have only one response: it's really sad that you can't recognize music if it's different from what you're used to. Yes, there's weird background synthy sounds. Yes, Adam Young has a really uniquely weird-attractive voice that sounds nothing like regular male pop artists. Yes, the bass and percussion aren't always consistent from track to track. Yes, one of the songs I recommended on the list is rap. Yes, Bombshell Blonde has that screechy bit in the middle which serves to remind everyone that dubstep also started out as electronica, but bypassed soft and pretty in favor of loudness. But you know what? I don't care. Owl City is my thing, it's my niche. I'm probably going to love it forever, no matter what happens or how it changes. It's something I have that's mine, but that I want to share because it's too good to keep to myself.
Also, Adam Young has the best Twitter account. The best celebrities interact with fans. I rest my case.